《阿凡达》已经在金球奖上大获全胜，那么在接下来的影坛最大盛事奥斯卡上，它是否能够赢得电影学院的垂青？下面的十大理由有褒有贬，全都是重要的影响因素(or not……)

　　《阿凡达》的电影画面极为真实可信，纳美人个个栩栩如生，制作技术一流！

　　"Avatar" SHOULD win an Oscar....for its motion capture technology。

　　We've seen motion capture in movies before, but never has it been so believable. At first, I found the Na'vi awfully fake, but at some point during the film, they became so lifelike. I can't figure out when it happened - just an amazing feat in technology。

　　不得不说《阿凡达》剧情实在俗套了点儿，看下来都有种似曾相识的感觉，单凭故事情节不指望拿奥斯卡了。

　　"Avatar" SHOULD NOT win an Oscar....because of its repetitive storytelling。

　　We've seen this story before. Intruders seek to destroy indigenous species, man goes undercover to connect with said species, man falls in love, gets angry about destruction of species. And I know that George Lucas used famous myths and legends to craft his "Star Wars" story, but that didn't win Best Pictureeither。

　　詹姆斯·卡梅隆想象力确实天马行空，美丽的潘多拉星球和上面的奇异生物，甚至生造出来的外星语言，要创造出来确实不容易啊。

　　"Avatar" SHOULD win an Oscar....for James Cameron's imagination。

　　When you first see Pandora in its beautiful 3D glory, it's hard not to beamazed. From the floating mountains (still confused at how theygenerate all of the water to sustain those rushing waterfalls)， bizarre land animals, to the local language - coming up with all this stuff ain't easy。

　　《阿凡达》的演员演技其实中规中矩，但中规中矩是没有突破的表现，也就是说不够格获奖。不过说起来，其实已经是特效蓝幕前的最棒的表演了，只是和其它电影比差了远。

　　"Avatar" SHOULD NOT win an Oscar....for the performances。

　　Don'tget me wrong, the performances in the film are solid - but in no wayaward worthy. I will say that "Avatar" showcases some of the bestacting in front of a blue screen, but compared to other work out therethis year? I'm not buying it。

　　看过《阿凡达》再去看别的3D电影，就觉得小巫见大巫了。卡梅隆真没说错：《阿凡达》改变了我们对于3D电影的体验，让观众真正身临其境，环游潘多拉星球。

　　"Avatar" SHOULD win an Oscar....for the 3-D technology。

　　A few days after seeing "Avatar," I caught "Disney's A Christmas Carol." There is no comparison.James Cameron wasn't kidding when he said his film would change the waywe see 3-D, it's the best use of it yet. Cameron avoids the 3-D clicheslike throwing objects into the theater. Instead, the film usesdepth-of-field and vast landscapes to bring the audience to Pandora。